|
My Collection/ Discography
Misc
|
Hong Kong Concert 17.6.2000The final day of Kitaro Asia 2000 had come, in Hong Kong. The concert venue was again set aboard a ship. The Super Star Leo left Hong Kong at five o'clock in the evening on Saturday, June 17. (Embarkation began at two o'clock, so the passengers could experience the Hong Kong sunset from the ship). The pleasures of the cruise continued until noon the following day, when the ship at last returned to Hong Kong.Der letzte Tag von Kitaro's Tour Asia 2000 war in Hongkong gekommen. Das Konzert war wieder an Bord eines Schiffes. Die "Superstar Leo" verließ Hongkong um fünf Uhr nachmittags am Sonnabend, dem 17. Juni. (Die Einschiffung fing um zwei Uhr an, so konnten die Passagiere den Hongkong Sonnenuntergang vom Schiff erleben). Die Vergnügen der Kreuzfahrt ging bis Mittag des folgenden Tages weiter, als das Schiff nach Hong Kong zurückkehrte. Due to rainy weather during the cruise, not too many people were seen on the
deck or around the pool. We had expected to see many, many people at Kitaro's
concert, as was the case for the previous performances, but the room wasn't
filled to capacity because the passengers were scattered all over the ship,
participating in various events. Actually, it was the only night for them to
enjoy the ship, this being a 24-hour cruise. The concert, however, heated up
even more than the previous ones, thanks to an impressively enthusiastic ovation
by the Hong Kong audience. The show began at 7:45 in the evening in Moulin Rouge, located toward the
rear of the ship on the seventh floor. The program was the same as those for the
Virgo performance. The songs heated up one song after another, in joyful
response to the excitement running through the crowd. In the concert program in
Malaysia there were duets between solos of Japanese wadaiko drum, regular drums
and marimba during the latter half of "Fiesta," but for this day the
number had been removed from the performance list. Since the concert time was
limited to 90 minutes, it was necessary to alter the program a bit. To make up
for it, the latter part of "Dance of Sarasvati" was cut out so that it
would continue into solos involving the drums, wadaiko and marimba, with duets
performed at each transition. Kitaro's powerful wadaiko performance blew the
audience away, Mr. Jimbo's drums backed it up in a corresponding manner, and Mr.
Nomura's marimba solo - with its deft use of traditional Japanese scales and
modes - won the audience's wholehearted approval. Ms. Sakiyama, who distinguishes herself as a solo violinist in Kitaro's band,
was applauded by the crowd even more for her performance during this tour again.
Her delicate melodies in the introductions of "Estrella" and
"Caravansarai," in addition to aggressive solos in "Silk
Road" and "Mercury," are absolutely fascinating. Her onstage
dynamics were so impressive that they seemed to amplify her otherwise petite
physical presence. Supporting Kitaro with their keyboards, Mr. Ebihara and Keiko generated great
currents of sound, as if they were trying to surround the considerable
imagination of Kitaro himself. The guitarist Mr. Ogawa was firmly in the groove,
despite the pressure of touring with the band for the first time. While paying attention to the band members beside the stage, I was fortunate
to experience the Kitaro sound first-hand at close range over the three stages
of the tour. I was struck by the way Kitaro expresses his feelings just with the
tips of his hands as he raises them skyward in subtle motions, the dynamic aura
that seems to pulsate from out of his whole being, the indescribable smile that
occasionally comes over his face while he plays the keyboard, and the lively
expressions in the eyes of the band and crew as they concentrate on hearing
Kitaro's sound. I only wished the audience could see and feel all this from a
much closer perspective. It was my first opportunity to experience a tour with an overseas crew, but
it turned out that they were all very nice. In fact, their relaxed attitude was
a great relief. They'd smile at me while we were setting up the stage, as if to
ask, "Are you happy?" As members of the Kitaro team, they tried not
only to do their best in their own task, but also to work in a comfortable,
pleasant and assured way, focusing on mutual understanding and support as we
performed our work in different sections. I was able to do my job comfortably,
totally forgetting whatever worries I might have had before the tour started. The next concert will be at the Azumino. It's been a while since our last
full-scale concert on the main island of Japan. We'll deliver the Kitaro sound
amid the awesome beauty of nature, with a starry sky and burbling streams as our
sound effects. We hope you'll all forward to a great show! Report by Katsuya Usami Homepage |